Showing posts with label The Thing. Show all posts
Showing posts with label The Thing. Show all posts

Wednesday, October 30, 2019

Top 5 Horror Movies of the 1950s

Post-World War II, American tried desperately to return to normal. The problem was, 1940 was ten years ago, before the atomic bomb, secret Communists teenagers running amok, and science greatly overstepping its bounds. The artifice of the 1950s can be seen in popular culture, at every level from newspapers and magazines on up to radio and television. The military-industrial complex seamlessly transitioned from ammunition to space-age toasters, and thanks to the G.I. Bill, everyone could afford a house and get cracking on the business of having a job, having kids, hosting cook outs, and living that American Dream.

It was all weapons grade baloney, of course. In the midst of all this prosperity, the threat of encroaching Communism was portrayed as very real and something to fear. This was the time of the Hollywood Blacklists, the start of the Cold War, and real-life Cat and Mouse games with Russian spies.

And let’s not forget the emergence of youth culture, too: rock and roll became big business, thanks to Elvis Presley kicking the door down for everyone that followed. Teenagers suddenly mattered, and that was terrifying to the establishment. Why, they’d only recently gotten control of juvenile delinquency by publicly “encouraging” (by way of televised Senate Sub-Committee hearings) the comic book companies to self-regulate, thus putting an end to crime and horror comics, presumably forever.

It’s no wonder that pop culture pushed back. The fifties saw the rise of counter-culture, the codification of what would become known as Film Noir, and the popularity of darkly pessimistic novel writing, in particular hard-boiled crime novels from authors such as Jim Thompson, Cornell Woolrich, and James M. Cain.

I don’t think anyone was really buying what America was selling, but the mindset was one of wanting to conform, to belong, to fit in, even if you don’t feel like you do. Horror movies moved from the gothic into the modern age, and made scientists and generals the patsies and the fools who usually exacerbated, if not outright caused, the monsters to roam free.

Monday, October 14, 2013

Discussion: Fear on Film, from 1982




(From L to R) the moderator, Landis, Carpenter, and
Cronenberg on the set of this TV program that ended
up being a huge influence on me. How strange.
When I was growing up in Abilene, Texas, there were limited resources for a kid that was into weird stuff. Truly, had it not been for the baffling ability for Abilene to pull in KTVT  channel 11 and WFAA channel 8 from Dallas, along with KERA channel 13, the PBS station that ran Star Trek and Dr. Who and Monty Python's Flying Circus, I don't know if I would have turned out like I did. Well, I'm pretty sure I wouldn't have had as deep a pop cultural education, in any case.

One of my most important early resources for news and information was Starlog magazine and Fangoria magazine. These early issues weren't so press release heavy back then; in fact, they often had to go find stories and make content for the magazine, which led to some really great articles about a lot of interesting stuff. One of those articles in an early issue, (maybe issue #9?) was called "Fear on Film" and it was a partial transcription and report about a round table discussion between John Landis, David Cronenberg, and John Carpenter. This was in 1982, and Cronenberg was the "old hand" at the time, having successfully made Rabid, Shivers, The Brood, and Scanners. Landis was white hot coming off of American Werewolf in London. And Carpenter had made a little movie called Halloween and also The Fog, and was working on The Thing. Talk about three directors at the top of their game. 

The article was interesting, and I never forgot reading it. But yesterday, I stumbled across THIS on the interwebs. Oh, thank you, sweet Interwebs!




This was a great discussion, and if I had any complaints, it would be that it was only a thirty minute talk. The moderator is pretty good, but the three guys are good speakers and eager to talk about their work. Very interesting stuff, particularly from Cronenberg, whom Landis and Carpenter seem deferential to. If you've never seen it, give the interview a watch. 

It's telling to me that all of this is happening before Landis' tragedy on the set of the Twilight Zone Movie (though he may have been about to work on it), before Cronenberg made Videodrome and the Fly, and before Carpenter went off the rails completely. Basically, they are still young enough that they've got stuff to prove and talk about, and hadn't been completely eaten alive by Hollywood yet. 

I miss the early days of Fangoria. If I'd had a decent amount of art training, I might well have ended up a contestant on Face Off.