Showing posts with label pulps. Show all posts
Showing posts with label pulps. Show all posts

Tuesday, March 12, 2013

Raiders of the Lost Ark Made Me This Way...




Over the years, I've tried, unsuccessfully, to explain to folks just how important and influential a film Raiders of the Lost Ark was for me. It dropped into my wheelhouse as I was turning the corner on adolescence, at a time when there was no Internet, no Netflix, no YouTube, none of that crap. If you wanted to know more about any given subject, you had to read about it. In books, or magazines--Thank God for Starlog!

As a 12 year old male, Raiders forever altered my course in ways that I've noted over the years, but until you sit down and start trying to backtrack your influences, you don't realize what a tangled mess it all is. I specifically and deliberately stopped when I got to large topics--either existing interests, or newly discovered interests, as they each lead to other branching charts. That's how I was back then (okay, still am)...when I get interested in something, I want to know everything! So, in the case of Raiders, specifically, I watched the television special about the stuntmen who worked on the film, and I read every interview I could find with Spielberg, Lucas, and Lawrence Kasdan. I read the novelization. I collected magazines, bubble gum cards--anything I could get my hands on that had behind-the-scenes information that I could use to decode the formula of how someone could come up with a modern-day whip wielding archeologist who fought Nazis and played with monkeys. You can see how that would appeal to just about anyone, right?

And don't get me started on the my film theory that Raiders is the first post-modern film--a movie about a type of movie, rather than the movie as genre unto itself. I submit to you that because we had Raiders of the Lost Ark, we also got Kill Bill, Inglorious Basterds, and now Django Unchained. I'll go into it later, one of these days, when I have the time. But it's a great theory and it explains why the first film is so very different from the three sequels, and how that happened.

For decades, I've tried to explain it to people, and they would just nod, politely, and reply, "Well, MY favorite movie is blah-blah-blah." No, you don't GET it, I've thought more about this film and its antecedents and influences than I have any other film including Star Wars.  It's not my favorite movie because, well, I just like it, and stuff. It's a part of my creative DNA in ways that still resonate with me to this day.

Because of RotLA, I created "The Blue Menace Mysteries" courtesy of the Violet Crown Radio Players.  Sam Bowen from Clockwork Storybook owes SO MUCH to Indiana Jones. Every 1930s pulp-era Role-Playing Game session I ever ran was informed by the way Lawrence Kasdan chose to write the screenplay to RotLA.

I made this flowchart so you could really see and understand. It's not my fault I'm like this. Raiders of the Lost Ark made me this way...

Here's the chart at full size. Enjoy! The Chart, Full Sized

Thursday, April 19, 2012

Some thoughts on the PCA/ACA conference


I'm on the mend from a particularly nasty upper respiratory infection, but I wanted to jot down a few thoughts about Boston and the PCA/ACA conference while it's fresh in my mind.

For those of you who don't know, the PCA/ACA conference stands for Pop Cultural Association/American Culture Association joint national annual get-together. There are regional meetings as well; the Southwestern meeting is usually in Albuquerque,  NM, but it sometimes makes it down to San Antonio, Texas. I went there last year, as the national conference was also at the site of the southwestern conference.

This year, the national conference was in Boston, Ma. A great city, a legendary city, a kind of mirror to New York in many ways; similar culture, architecture, history, etc. A great rivalry exists between them and it's easy to see why. It was certainly the most expensive PCA/ACA conference I've ever been to, from the air fare to the bill of fare, and all points in between. Looking ahead, I see it's not going to get any better, either, because next year's national conference is in Washington, D.C., a destination not exactly known for its inexpensive-ness. Two years from now: Chicago.  All of this begs a question from me: What exactly is the purpose of this annual get-together in the first place?

See, the PCA and the ACA started throwing annual conferences to give those academics in pop culture and American culture studies (two areas of academia that have been heretofore marginalized) their own place to present papers (thus adding to a person's c.v.) and meet up with and exchange ideas with other people working on the same area of interest as yourself. I would say that, at one time, maybe that was the case. But the higher ups have been courting these expensive, destination cities for several years now, and I contend that it's doing the people attending these conventions as huge disservice.

Granted, some of them are getting stipends and grants to go and present. But many more are grad students--and I know this because that's who I've been talking to for several years now--who are starving themselves so they can come present. (thus adding to their c.v.). Simply put: this convention doesn't need to be in a destination city. It needs to be in college towns. Let me explain the difference.

Destination cities are places like San Diego, where people usually put things like nursing and teaching conferences. These are the kinds of conferences where you're supposed to get ten hours of in-service training, so you sign up for the first two sessions on Monday, leaving your schedule wide open for Tuesday through Thursday so you can go see Seaworld and the like. The whole thing is written off by your institution because in-service training is in the budget, so who cares what it costs?

College towns are places like Columbus, Ohio, and Madison, Wisconsin, where there's enough infrastructure to support a big gathering, but not much else to do. Oh, there's bars galore, and cheap, delicious restaurants everywhere, because it's a college town, and there's usually a historic or a music or an arts district, but it's still reasonably priced, which is great, since the vast majority of the people at the conference are going to be hanging out together, talking and drinking and eating (and mostly talking and drinking).

That's the kind of conference the PCA/ACA is. It's a bar-con. Most everyone there is either presenting, or attending other presentations on similar topics. Since most everyone at the conference is staying close to the hotel, why on Earth would you make it a hotel that's twice the price of something in, say, Columbus? And because the conference was in a downtown location, in one of the worst traffic cities in the country, you were either stuck on foot or forced to take a cab to get anywhere interesting--more needless expense.Especially when we're all paying for the privilege of presenting a paper, and we have to not only pony up for the conference, but also pay for a membership into either the PCA or the ACA. Talk about a captive audience...

Oh, and another thing: If you are going to the trouble and expense to have George Takai as your keynote speaker, what the hell is the point of scheduling him in the middle of the day, during all of the other paper presentations? I know what the committee was probably thinking: "Well, he's going to be addressing G/B/L/TG issues, so SURELY not everyone in attendance will have a vested interest in that topic, right?" Yes, right, except for one thing: the person giving that talk played SULU ON STAR TREK!  You just dropped SULU into the biggest gathering of geeks on the Eastern Seaboard. What's wrong with you people?

If I seem a little tweaked about this, you may infer correctly that, yes, in fact, Takai's talk was scheduled opposite my session. Thanks, PCA/ACA! You're awesome. I'm not complaining about the lack of attendance in my session; just the opposite. But I guarantee you that my room would not have been full had it not been for the use of the word "Gorilla" in my paper title. That's the only thing that saved me, and I know this because I asked the crowd. But that's beside the point. I wanted to see Takai's talk. It was the deciding factor on whether or not I was going to attend in Boston this year. Well, the joke's on me.

 Maybe we're the ones doing it wrong. Maybe the pulp studies guys and the Game Theory guys and the Comic Book studies guys and all of the other groups I've talked to are just doing it wrong. Maybe we need to just walk in like gunslingers, present our paper during our session, and then slap leather for Fenway Park and spend the rest of the conference away from the nerds. But that's not what we want. We're all in the sessions, listening, critiquing, discussing, and in general interacting with our fellow fans, scholars, and academics. We go out for lunch or dinner, but we always seem to end up back in the bar, talking about books, things to write, angle to take, new stuff to consider--you know, what you'd expect to be discussed at an academic conference. As it stands right now, I know most of the pulp studies guys who have been active for the past two years won't have the budget to attend next year. What will the mean? Will the chairmen of the conference even care? I don't know. But I'm sick and tired of going to great cities, at great expense, that I cannot enjoy because I'm tied into the conference. It just feels like I'm paying for someone else's vacation.

Sunday, January 22, 2012

Robert E. Howard's 106th birthday*

As someone who has now become somewhat inextricably tied to Robert E. Howard, the author from Texas who created Conan and so many other wonderful and engaging pulp stories, I feel like I should say something to mark the occasion of his birthday.

I've been involved in Howard Studies for a number of years and I frequently have to remind myself just how far REH (as we call him in print) has come as a popular culture figure. If you are wondering yourself what I'm talking about, go watch the REH mini-biography on the new Conan the Barbarian blu-ray. You'll probably watch it and go, "So? Yeah? Big deal. I know all of this stuff, Finn. What's your point?"

Then go watch the REH featurette on the FIRST Conan movie DVD, starring Schwarzenegger. Just compare the two and you'll see the differences, in shart contrast. You'll wonder why, for example, they let John Milius talk about Robert E. Howard as if he knew the man personally, when in fact he has had, and continues to not have, any ties to Howard or the Howard Studies community. He's just a ham hock of a director, flapping his big fat mouth, and getting it all wrong. 100% wrong.

That's not happening now. Paradox is maintaining Howard's image and biography, even as they continue to support the publishing effort. It's important to do both. There are millions of copies of the "Conan Saga," which is what we have come to call the 12-book paperback series that was put together by L. Sprague de Camp with the help of Lin Carter and Bjorn Nyborg. These books were the introduction to so many fans of REH, the character of Conan, and perhaps worst of all, de Camp's introductions regarding Howard from a biographical perspective. Oh, and of course, his assertion that there's no deep meaning to epic fantasy. It's all just good clean fun. Riiiiiiight.

Anyway, all of that junk is still out there. Those books get traded into Half-Price books and frequently don't last a week on the shelves before someone picks them up again. Gary Romeo, the greatest de Camp apologist of all, thinks it's funny that people like me keep bringing up de Camp. To be fair, he also complained that people weren't giving him enough credit when everyone was trying to freeze him out of the books. So, either way, he's going to kvetch.

But I want to be very clear here: the reason why I keep bringing him up is because I don't want people to forget what a horrible biographer de Camp was, and also what a petty little snark he could be whenever he talked about My Favorite Author. He never missed an opportunity whenever he had an audience to offer up a sideways kick or a backhanded compliment about Howard, usually a listing of all of Howard's faults as an author and as a human, followed with "but for all of that, he sure could write rousing action scenes, couldn't he?" This is the literary equivalent to telling your dance partner, "You know, for a fat chick, you sure don't sweat very much." It's damning with faint praise, and it has been the model for criticizing REH, well, ever since de Camp started doing it in the mid-1950s.

But that's changing now. The documentary on the new Conan dvd is huge. I know of at least two high profile anthologies coming out, one this year and one next year, with REH stories in them. It's only a matter of time before Howard becomes the next of the pulp-era authors to get folded into the American Literary Canon.It may take a few more years, and a few more people outside of the SF-F sub-culture to write favorable about him, but it's going to happen.

And there will always be a pop cultural, if not a cultural, presence for REH and his work. So the Conan movie didn't work out so good. Doesn't matter. Not really. The MMO is still going strong, and there's more and more publishing coming out. Another movie will get made. Hopefully closer to the source material. The message boards are active, and the fan base is healthy. As more and more of these fans discover or rediscover Howard's work, they are greeted with a very different picture of the author than merely "the brooding loner who wrote Conan."

I can't think of a better 106th* birthday present. Happy Birthday, Bob. Thanks for the words.

*Thanks to Damon over at the excellent Two-Gun Raconteur website for reminding me my count was off. It's 2012, not 2011, don't you know.

Saturday, December 10, 2011

Now taking Pre-Orders for Blood and Thunder second edition


The Spiffy-Looking Second Ed.

Hey folks, for those of you who are interested, you can now pre-order the signed and numbered limited edition of Blood & Thunder: The Life and Art of Robert E. Howard, second edition. Greatly expanded and updated, this handsome hardcover is published by the Robert E. Howard Foundation Press. To place your pre-order, follow this link here: http://www.rehfoundation.org/2011/12/10/pre-order-blood-thunder-revised-and-updated-edition/

There will most likely be a standard (that is to say non-signed and numbered) edition, but that comes later in 2012. If you are collecting the REH Foundation volumes, then you want to grab this copy to keep your numbering up.

I'm so happy this book is going to be available again to the legion of REH fans out there who are still indoctrinated by L. Sprague de Camp's various snarky asides in the introductions to the Lancer Conan books. And if anyone out there would like to buy a copy and send it to John Howe, you'd have my eternal admiration and respect.

Sunday, December 4, 2011

A Very Quick Sneak Peek at Blood & Thunder Second Edition

More details coming soon, but for now, here's a sneak peek at the cover, designed by the redoubtable team Jim and Ruth Keegan:



















Oh yes, that will do just fine, thanks!