One of DC’s greatest strengths is also its greatest weakness in a twenty-first century media-saturated America. The biggest of the big DC heroes—Superman, Batman, and Wonder Woman—are routinely compared with and likened to mythological gods and heroes. It’s been the subject of no telling how many master’s theses, stacks of pop culture non-fiction publishing, and long boxes full of comics, all written by the flavor of the month, eager to dazzle us all with “their take” on fill-in-the-blank character that’s been around for fifty or more years.
DC even floated a separate line for these “imaginary stories,” called “Elseworlds,” which has been and continues to be extremely popular. After all, myths are made to be interpreted and re-interpreted, right? So, the idea of setting Batman in, say, 19th Century London fighting Jack the Ripper (Gotham by Gaslight) sounds frankly awesome, doesn’t it? And in The Nail, the Justice League are outlaws in a topsy-turvy world, made very different when the rocket ship discovered by Jonathan and Martha Kent ends up in a another family's back yard (with artwork by Alan Davis and Paul Neary, easily two of the best working comic book artists to this day). Sounds cool, right? Oh, and let’s not forget the most famous Elseworlds of all—the one that arguably spawned the need for an Elseworlds bullet in the first place—Batman: The Dark Knight, by Frank Miller.
How can you not love that?