I am on pace so far, but I feel I should warn some long time readers of me and San Cibola in general. Well, not warn, so much as explain.
I'm taking the San Cibola out of the Con-Dorks.
When I rework the first two books (with the intention of selling the three novels as a trilogy) I will be shortening the distance between the Con-Dorks and the Sisters by having all of the events take place in San Francisco and the Bay Area. So if some of the geography in this third book seems off, that's why.
But why am I doing this? It's simple, and a little sad, too. Without all of the other authors on hand to prop up San Cibola with their writing, the concept of a magical city with open secrets becomes harder for one book (or even a set of books) to maintain on its own. San Cib was a shared world, not just in that we were sharing the real estate as writers, but that you, as readers, were sharing the information about the place picked up from all of these stories. That's how the shared world operates.
So, for the purposes of, say, introducing the first Con-Dorks book, it's much easier as an author to say (and for you as a reader to buy into) "Okay, magic is real, and it's largely secret. Some folks know about it, and they are special. Most people don't know about it, and they are normal." If I don't have to further explain the world, this brand-new city, and how it all works to a new reader, then they can get involved in the story that much quicker.
So, If you have a copy of Gods New and Used, or if you liked the books when they were serialized on RevolutionSF, I recommend you hang on to them. When next they appear, they will be in a new form. It's almost as if the Blue Cutters got ahold of the books, but not really. I hope.
Oh, and for the rest of you following the contest: Insert obligatory Trash-Talk here.